Hailed in 2006 by director Kevin Macdonald as the world’s “best British actor under 30 without question,” Glasgow native James McAvoy’s talent for playing flawed yet sympathetic characters made him an actor to watch for the new millennium. Officially kicking off his screen career at age 16 in the 1995 thriller, “The Near Room,” it would be another eight years before McAvoy landed his big break in the 2003 Sci-Fi Channel original miniseries, “Children of Dune.” After a handful of well-received television roles, McAvoy’s feature career took off in 2005, starting with a major role in “The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe” (2005), followed closely with a truly impressive turn as an ethically ambiguous physician in the critical hit, “The Last King of Scotland” (2006). Born on New Years Day, 1979 in Glasgow, Scotland, James Andrew McAvoy was raised by his maternal grandparents after his parents divorced in 1986. Growing up in the 1980s, McAvoy soaked up the archetypal American popcorn movies of the period, including “St. Elmo’s Fire” (1985), “Top Gun” (1986) and “Back to the Future” (1986). A self-described film lover and “sci-fi geek,” McAvoy’s dreams of becoming an actor became a reality, when at age 15, the lad met Scottish actor David Hayman at a school-sponsored career day. Impressed by the youth, Hayman remembered McAvoy and gave him a call four months later to see if he would like to audition for a role in his latest film, “The Near Room” (1986) – a dark thriller about child prostitution. McAvoy’s tiny role in the movie – as the son of a pimp – won him a spot at the Royal Scottish Academy of Dance and Music. After graduation, McAvoy moved to London, where he shared a tiny flat with four roommates and a Chihuahua. Working at a bakery for his day job, the frustrated McAvoy nearly gave up on acting and seriously considered joining the Royal Navy, until he landed a small role in the World War II miniseries, “Band of Brothers” (HBO, 2001). From there, McAvoy sprung to worldwide attention with his role in the science-fiction miniseries, “Children of Dune.” Adapted from the works of Frank Herbert, the three-part, six-hour miniseries was produced in Germany and boasted an international cast. As the young adult Leto Atreides II, McAvoy made his debut in the film’s second chapter and remained an instrumental figure in part three. The up-and-comer next turned up in a supporting role in the critically acclaimed British crime serial, “State of Play” (BBC-1, 2003). His well-received turn as hard-nosed journalist Dan Foster led to another popular television engagement – this time in the off-beat British comedy, “Shameless” (BBC-2, 2004- ). During the filming of this program, McAvoy met an actress nine years his senior, Anne-Marie Duff. The two fell in love and eventually married in October of 2006. Despite McAvoy’s growing fame in the U.K., the actor remained largely unknown stateside until the release of the big-budget fantasy blockbuster, “The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe.” Cast as the good-hearted faun, Mr. Tumnus, McAvoy delighted longtime fans of the C.S. Lewis classic with his poignant portrayal. Capitalizing on the public’s hunger for epic fantasy-adventures following the monster success of the “Lord of the Rings” trilogy, “Narnia” scored huge at the box office, earning nearly $750 million worldwide. McAvoy’s most celebrated role to date, however, was a year later in “The Last King of Scotland” – the directorial debut of respected documentarian, Kevin McDonald. Based on journalist Giles Foden’s 1998 novel of the same name, “The Last King of Scotland” starred McAvoy as Dr. Nicholas Garrigan, the head physician to Ugandan dictator Idi Amin (played expertly by Forest Whitaker. McAvoy’s character, Garrigan – a fictionalized composite of several real-life figures – embodied the sort of character McAvoy played best: ambitious, flawed, but unquestionably human. With a total of six films under his belt in a span of just two years, McAvoy showed no signs of slowing down his breakneck pace. In 2007, McAvoy had two more projects scheduled for release – the romantic comedy, “Starter for Ten” (based on the novel by David Nicholls,) followed by the modern-day fable “Penelope,” opposite Christina Ricci